week6.1 April 8

 The film "Pleasantville" prompts reflection on our perceptions of truth and falsehood, blurring the lines between them and urging a deeper understanding of the world. Characters in the movie, residing in the seemingly idyllic Pleasantville yet harboring a rebellion against its constraints, leave a lasting impression by embodying both pleasure-seekers and fighters against dystopia.

Goffman's theory finds vivid illustration in the film's portrayal. Positive emotions like courtesy and joy take center stage, masking the characters' deeper struggles with anxiety and disappointment, relegated to the background. This dichotomy reflects the dual nature of human existence, where outward performance often contrasts with inner turmoil.

In Pleasantville, the characters navigate between front-stage performances and back-stage moments of respite. While maintaining optimistic facades in public, they retreat to the background to confront their true selves and ponder their futures away from societal scrutiny. This interplay adds depth to their characters and complexity to the narrative.

For instance, protagonist David must maintain a facade of excitement at a carnival, concealing feelings of exhaustion and loneliness. This toggling between front and backstage personas is not merely personal choice but a reflection of societal expectations, demanding conformity in public while allowing authenticity in private.

question

What societal norms and expectations contribute to the contrast between front-stage performances and back-stage authenticity in individuals' lives, as depicted in "Pleasantville"?

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