W5.1 April 1 (Mon)

 Character performance and presentation: In the movie, the protagonist Rick (Rick Blaine) and other characters show different character characteristics on the stage of Casablanca. Rick is initially portrayed as a cynical, selfish nightclub owner, but as the story develops, the audience sees the deep affection and sacrifice behind him.

Related to Goffman's theory: This shows how people perform specific roles in specific social situations and use these performances to convey the image they want to project.


Switching between frontstage and backstage: In the movie, Rick's nightclub and private conversation with Ilsa Lund are typical switches between frontstage and backstage. In the nightclub, Rick displays his sophistication and aloofness; while in his conversation with Ilsa, the audience sees his true, vulnerable emotions.

Related to Goffman's theory: This reflects how people switch between the foreground and the backstage in their daily lives, and how these switches affect their interactions with others.


Impression Management: Rick constantly manages his impressions of others throughout the film, particularly Ilsa and Victor Laszlo. He tries to hide his true feelings while conveying that he is a strong, unshakable person.

Relevant to Goffman's theory: This reflects Goffman's view on impression management, whereby people use various means to manage their image in the eyes of others.


Stage setting and character positioning: The city of Casablanca itself is a stage, and each character finds his or her own position here. Whether it is the atmosphere of the nightclub, the hustle and bustle of the streets or the departure at the airport, they all provide the background for the characters' performances.

Related to Goffman's theory: This reflects Goffman's view of stage and role positioning, that is, people's social interactions take place in specific stages and roles.


The intertwining of truth and performance: In the film, Rick and Ilsa's relationship illustrates the complex intertwining of truth and performance. Although they try to hide their true feelings, they are ultimately unable to resist their emotional connection with each other.

Relevant to Goffman's theory: This reflects Goffman's idea of the blurring of the boundary between authenticity and performance, whereby people may display both authentic selves and performative components in social interactions.

By identifying these elements related to Goffman's theory, we can see how the film Casablanca illustrates the complexity of how people present themselves, manage impressions, and play roles in specific social situations. These elements not only make the movie more fascinating, but also provide a vivid case for our understanding of Goffman's drama theory.

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